- Gallery Events
- Unknown Unknowns
- Secret Places
- Midi Onodera
- If Not The Ocean, Then The Sound
- A Friendly Rewinder
- Lifetime Membership Ceremony
- Corpusse
- Roll Across the Skies
- FOMM 2011
- K-Town
- Rosetta's Vespers by Nora Hutchinson
- Another Art Sale
- Food 101
- Cassettestival
- Supermarket 2012
- Iceland: Future of Hope
- Take A Step Inside
- Art X Change
- Look There Not Here
- Jesse Harris
- Tristan Perich and Lucky Dragons
- Film Screenings at Kazoo Fest
- Pancake Breakfast Concert
- Ad Nauseam Ad Nauseam
- Fair of Alternative Art of Sudbury 2012
- Mansaram & McLuhan
- Workshops
- Member Movie Nights
- Hollywood North
- Guelph Comedy Festival
- Events Archive
(a short parenthesis in a long period)
Jean-Paul Kelly
Curated by Jenn E Norton
Opening Reception: Saturday, November 13, 2010, 2pm-5pm (artist in attendance)
Exhibit continues until December 16, 2010
Jean-Paul Kelly is a Toronto-based artist. He creates drawings,
photographs and videos, often displayed together as installations. These
exhibition projects engage with issues of representation and
subjectivity through Kelly's exploration of contiguity, allegory, and
replacement. He has had solo exhibitions at Gallery TPW, Toronto (2008)
and at Ed Video Media Arts Centre, on November 13, to December 16, 2010.
His work has been included in group shows in North America, Japan, and
Europe, most recently in "Showcase.09", *Cambridge Galleries (2009).
Under the collective moniker Fennel Plunger Corporation, Kelly has
collaborated with artists Steve Reinke and Anne Walk on exhibitions at
Gallery TPW (2005) and Mercer Union, Toronto (2010).
www.jeanpaulkelly.com
Ed
Video is thrilled to feature the videos, photography and drawings of
this multi-talented artist and curator. Some of the charming lures woven
into his pristine line drawings are the bitter-sweet nostalgic
references of postwar American animation partnered with Lacanian theory.
The union of these two disparate allusions evokes the uncanny, a trait
that bleeds throughout the exhibition, which examines how trauma is
perceived through representation.
The familiar relationship we share
with domestic content in the work is made strange through Kelly's hybrid
parings, both formally and contextually, as exemplified with drawings
of upholstered pets, cushions that extrude bones, a car billowing smoke
entitled, Chrysler (Dad). This dissociative tension in the work
transports the viewer to a larger narrative than what the nostalgic
references belie, a narrative of recent traumatic events, and how they
are documented.
-Jenn E Norton-
-John Donne, Devotions Upon Emergent Occasions-
Article about the exhibit in The Ontarion
